.urban elements (6 new items)
The series Urban Elements is concerned with objects that constitute our everyday urban environment. Employing minimalist graphic elements, the images are processed in the style of architectural sketches and present the elements isolated of their surroundings, thereby laying full attention to the respective object and its individual appearance and geometry. The aim of using this particular style is to point out the contrast between the planned and clear lines of the building's architecture and the individual character the object acquired through time by its exposure to the urban sphere. Dirt, decay, but also transformation in the form of street art characterise the objects of this series and lend them character. It is this tension between clear geometry and imperfection that Urban Elements is devoted to.
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.local colour (9 new items)
This series is a personal work, documenting the neighbourhood I have lived in since I moved to Luxembourg in 2013. In close proximity to Luxembourg City’s train station, the quarter’s reputation is notoriously bad, with drug trafficking and prostitution coining the area’s image. Triggered by the ongoing transformation of the whole city and the quarter in particular, I felt the need to document the changes around me. Since the area is subject to an increased gentrification with old town houses being knocked down and replaced by modern office and apartment buildings, more and more contrasts appear. This work also enables me to properly discover my neighbourhood and all its colours, shapes, and textures that form its character. Choosing a decidedly minimalist approach, I want to provide enough time and space to reflect on these individual, seemingly everyday features one could easily overlook - even as a resident.
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.chloroplastics (9 new items)
Chloroplasts are cellular subunits in plants, which conduct photosynthesis. Artificial plants do not conduct photosynthesis in order to stay green. They are supposed to be evergreen low-maintenance items of domestic and corporate decoration. Yet, they still change their appearance through time. The ongoing project Chloroplastics is inspired by classical 18th-century botanical illustrations, in particular the drawings by Ferdinand Bauer, whose works Flora Graeca and Illustrationes Florae Novae Hollandiae are major influences on the series. With Chloroplastics, the act of studying a natural plant specimen in detail and creating a visual representation of it, is applied to plastic flowers, which are already representations themselves. Rather than merely cataloguing individual fake plants into a photographic herbarium, Chloroplastics explores whether these plants show any signs of withering, such as fading colours, abrasion, or dust. To do so, the series diverts from the neutral representation of classical illustrations in that the specimen are directly exposed to the camera’s flash, a substitute for the sun, paralleling the plants’ artificiality. This recreation of the sunlight provides for strong contrasts, partly hiding, at closer look exposing the plants artificial character. In these ways the aforementioned forms of weathering become visible, such as the greens that sometimes fade into turquoise and blue hues. Apart from this close and rather visual analysis, the project also hints at the contexts these plants are placed in, trying to answer where and why people prefer the substitute rather than the ephemeral beauty of the original.
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.particles (9 new items)
In the field of literature, identity as a container is a well-established notion. With Particles, Boris Loder transforms this concept into a study through photographs that questions social and geographical identities. Each cube contains objects that were collected in specific locations throughout Luxembourg, such as parking lots, streets, or waste grounds. This work shows what such objects have to say about their environment, about the “raison d’être” of a specific location, and about what a place is currently used for. Through narcotics in a playground, junk food on a sport’s field, or the ubiquity of drugs, Boris Loder’s photographs go against any stereotypical representations of some specific locations. Prints available via: www.galerie-circulations.com/collections/boris-loder